Jamil Burton
- Drawing/Painting,


Higher Learning

Mirror Mirror

Unknown 2

BIO
Jamil Burton (b. 1975, Newark, NJ) is an international fine artist, illustrator, and figurative painter whose work bridges traditional and contemporary realism. Splitting his time between North Carolina and New Jersey, Burton creates bold, soulful images that explore the depth and beauty of the Black experience.
Deeply influenced by his grandmother and early training in Newark’s visual and performing arts schools, Burton went on to study fine art and illustration at Savannah College of Art & Design, St. Paul’s College, and Katherine Gibbs School. His practice spans oil painting, mixed media, and illustration across canvas, fabric, wood, and metal.
Burton’s work has been featured in solo and group exhibitions nationally and internationally, and his clientele includes cities, cultural organizations, schools, and private collectors. In addition to his fine art, he has illustrated multiple children’s books and contributed commissions ranging from murals to apparel design. His clients include the City of Goldsboro, City of Kinston, Mother Earth Brewery, The United Way, and The Boys’ Club of Kinston, among others. Known as a visual storyteller, Burton’s work blends narrative, cultural symbolism, and vibrant color to create imagery that is at once personal and universal.
Jamil states, “My art is a collection of stories woven from heritage, community, and lived experience. As a figurative painter and illustrator, I use oil, mixed media, and drawing to create works that celebrate humanity while confronting its complexities. The Black experience is central to my practice—expressed in bold colors, layered textures, and narratives that speak to resilience, beauty, and truth. I create because I am passionate about the human condition and the freedom of expression. Whether through large-scale paintings, children’s book illustrations, or experimental works on fabric and unconventional surfaces, my art is an offering of love—meant to inspire, to challenge, and to connect. Ultimately, I see each piece as a shared experience, a dialogue with the viewer. My hope is that my work stirs both thought and feeling, reminding us of our interconnectedness and the power of art.”
